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"The Spiral Headed Man" sculptural installation by Lorna Blaine Harper (Image: Max Eternity)
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Anni Albers is perhaps the best known woman to have passed through Black Mountain College (BMC). She was one of the original "weavers" at the Bauhaus in Germany, where here husband, Josef Albers, also taught and practiced. And there are other notable women who graced the halls and grounds of BMC who have received a fair amount of recognition through the years, like photographer Hazel Larsen Archer, and one of my personal favorites, a painter and sculptor named Lorna Blaine Halper whose work was included in
a feature article I wrote in 2015 about the Asheville Art Museum.
In recent years, BMC has garnered more attention in the press and the world of art history, in no small part due to the hefty book,
Leap Before You Look by Helen Molesworth, and touring exhibition curated by Molesworth and Ruth Erickson, as well as the many years of tireless work carried out at the Black Mountain College Museum + Art Center.
And earlier this year, 2 new articles continue the trend of celebrating BMC, of which both highlight the contributions of women. Appearing this spring at Artsy.net was a piece entitled "
8 Pioneering Women Artists of Black Mountain College," and in July at Hyperallergic an article entitled "
Revisiting the Legacy of Women at Black Mountain College" speaks to an exhibition in Maine at the Yvette Torres Fine Art, entitled "Women of Black Mountain College: Nevertheless They Persisted."