Germany’s Weimar Republic lasted only 14 years, yet produced immense creativity and intellectual achievement. And in my latest article, published at MaxEternity.com, I interviewed Eric Weitz, Dean of Humanities and Arts and Distinguished Professor of History at The City College of New York. Weitz is also the author of Weimar Germany: Promise and Tragedy, and in our conversation we talked about global politics—how much of it mirrors Germany’s Weimar Republic, especially in the US—and we talked, as well, about how the Weimar Republic launched the [Bauhaus] birth of modernism. Describing what the Weimar Republic was like, Weitz says it’s an “interesting, strange juxtaposition of both crisis and artistic creativity, and I think they are related…the fragility of the economy and the political system inspired artists to innovate.” Read more.
Wednesday, June 15, 2016
Tuesday, June 7, 2016
“I think you are writing a very important book on the subject of the Bauhaus and Black Mountain College—in a way not touched in academia, as far as I know—inclusive to the interconnections with the Jim Crow South, and shedding light on new territory about African American modernists. I think also your perspective is fresh, in comparison to the usual suspects in mainstream academia who have dominated the subject. On a side note, the cover art you created for this project is beautiful, and connects with the modernity of the Bauhaus and Black Mountain College.”
Architect | Artist